![]() Short answer: Set Saturation ‘downstream’ of your initial Primary Correction. THEN it makes sense to attack Saturation.Īnd yes, after Saturating the image you may need to rework brightness and color balance… but maybe not-so why not leave it until after fixing the bigger problems? What’s the best way to set Saturation in Final Cut Pro X? With these two ‘truths’ in mind, the smart colorist will leave Saturation until after overall contrast and color balance are defined. For example, Color Board presets (such as Fall Sun or Moonlight) are based on the Color Board effect. Color presets are based on color correction effects and have the same controls as the effect they’re based on. Apply color presets to quickly give your clips a particular look. From final cut pro version 10.6.5 (as of Feb 2023), which interface. Use color presets in Final Cut Pro for Mac. But changes in Saturation might not effect brightness values (meaning you can make Saturation changes without having to bounce back to the Exposure board to compensate). Automatic Color Correction Uses AI to analyze and correct the color balance and saturation of clips. Image Processing: Depending on the software, changes in Exposure will have a huge effect on the actual Saturation of image (as measured on a Vectorscope, not just perceptually). In this Advanced tutorial for Apple Final Cut Pro X, we learn how to use the ‘draw masks’ effect / tool to create complicated and more precise keyframed mask. If you haven’t settled on the overall brightness of your image and start tweaking Saturation first, you’ll be re-visiting this setting in very short order.Ģ. The actual Saturation may not alter one bit and yet the object will appear much more (or less) colorful depending on it’s brightness values. Works in Final Cut Pro Motion on Apple and Intel processors. A few of things you’ll learn Perfecting Skin Tones No Matter the Situation. Perceptually: Brightness or darkness values change how colorful an image appears to our eyes. Learn how to color correct like a pro in Final Cut Pro and Color Finale 2 Pro. I suggest you (almost) never set saturation before you’re happy with where the highlights, shadows and mid-tones are sitting (usually in that order).īecause the perceived colorfulness of an image is hugely impacted by the brightness of image. When is the best time to set your Saturation? ![]() ![]() ![]() I’ll often call it, ‘setting the Base Grade’.ĭuring this ‘setting the Base Grade’ process we’ve been avoiding setting Saturation in Final Cut Pro X. This first step in color correction is what is commonly called, a Primary Color Correction. Using that information, we developed a game plan for the first ‘move’ you make when color correcting an image. In Parts 1 & 2 of this series, you learned how Final Cut Pro X ‘re-maps’ the pixels in your image assigned to the Shadows, Midtones and Highlights tonal ranges. Tutorials / FCPX Desert Island Challenge / Setting the Proper Saturation in Final Cut Pro X Seriesĭay 19: 25 Insights in 25 Days Holiday Marathon How (and When) To Set Saturation in Final Cut Pro X Final Cut Pro X Desert Island Color Correction Challenge: Part 3 ![]()
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